An eye for the tropics : tourism, photography, and framing the Caribbean picturesque / Krista A. Thompson.

By:

Thompson, Krista A, 1972-

Series: Objects/histories | Objects/historiesPublication details: Durham : Duke University Press, 2006.Description: xvii, 366 pages, 32 unnumbered pages of plates : illustrations (some color), map ; 21 cmContent type:

text

Media type:

unmediated

Carrier type:

volume

ISBN:

0822337517
9780822337515
0822337649
9780822337645
9780822388562
0822388561

Subject(s):

Additional physical formats: Eye for the tropics.DDC classification:

338.4/7917292045 22
338.4791729

LOC classification:

G155.C35 T53 2006

Online resources:

Contents:

Introduction: Tropicalization: the aesthetics and politics of space in Jamaica and the Bahamas -- 1. Framing "The New Jamaica": feasting on the picturesque tropical landscape -- 2. Developing the tropics: the politics of the picturesque in the Bahamas -- 3. Through the looking glass: visualizing the sea as icon of the Bahamas -- 4. Diving into the racial waters of beach space in Jamaica: tropical modernity and the Myrtle Bank Hotel's pool -- 5. "I am rendered speechless by your ideal of beauty": the picturesque in history and art in the postcolony -- Epilogue: tropical futures: civilizing citizens and uncivilizing tourists.

Action note:

Self-Renewing 2017

Summary: "Images of Jamaica and the Bahamas as tropical paradises full of palm trees, white sandy beaches, and inviting warm water seem timeless. Surprisingly, the origins of those images can be traced back to the roots of the islands' tourism industry in the 1880s. As Krista A. Thompson explains, in the late nineteenth century, tourism promoters, backed by British colonial administrators, began to market Jamaica and the Bahamas as picturesque "tropical" paradises. They hired photographers and artists to create carefully crafted representations, which then circulated internationally via postcards and illustrated guides and lectures. Illustrated with more than one hundred images, including many in color, An Eye for the Tropics is a nuanced evaluation of the aesthetics of the "tropicalizing images" and their effects on Jamaica and the Bahamas. Thompson describes how representations created to project an image to the outside world altered everyday life on the islands. Hoteliers imported tropical plants to make the islands look more like the images. Many prominent tourist-oriented spaces, including hotels and famous beaches, became off-limits to the islands' black populations, who were encouraged to act like the disciplined, loyal colonial subjects depicted in the pictures. Analyzing the work of specific photographers and artists who created tropical representations of Jamaica and the Bahamas between the 1880s and the 1930s, Thompson shows how their images differ from the English picturesque landscape tradition. Turning to the present, she examines how tropicalizing images are deconstructed in works by contemporary artists--including Christopher Cozier, David Bailey, and Irenee Shaw--at the same time that they remain a staple of postcolonial governments' vigorous efforts to attract tourists."--Publisher's website.

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Item type	Current library	Call number	Status	Date due	Barcode
Books	OCLC Data		Available		0000000011234

"Images of Jamaica and the Bahamas as tropical paradises full of palm trees, white sandy beaches, and inviting warm water seem timeless. Surprisingly, the origins of those images can be traced back to the roots of the islands' tourism industry in the 1880s. As Krista A. Thompson explains, in the late nineteenth century, tourism promoters, backed by British colonial administrators, began to market Jamaica and the Bahamas as picturesque "tropical" paradises. They hired photographers and artists to create carefully crafted representations, which then circulated internationally via postcards and illustrated guides and lectures. Illustrated with more than one hundred images, including many in color, An Eye for the Tropics is a nuanced evaluation of the aesthetics of the "tropicalizing images" and their effects on Jamaica and the Bahamas. Thompson describes how representations created to project an image to the outside world altered everyday life on the islands. Hoteliers imported tropical plants to make the islands look more like the images. Many prominent tourist-oriented spaces, including hotels and famous beaches, became off-limits to the islands' black populations, who were encouraged to act like the disciplined, loyal colonial subjects depicted in the pictures. Analyzing the work of specific photographers and artists who created tropical representations of Jamaica and the Bahamas between the 1880s and the 1930s, Thompson shows how their images differ from the English picturesque landscape tradition. Turning to the present, she examines how tropicalizing images are deconstructed in works by contemporary artists--including Christopher Cozier, David Bailey, and Irenee Shaw--at the same time that they remain a staple of postcolonial governments' vigorous efforts to attract tourists."--Publisher's website.