Negro anthology / made by Nancy Cunard, 1931-1933.
London : Published by Nancy Cunard at Wishart & Co., 9 John Street, 1934Colchester, London & Eton : The Ballantyne Press : Spottiswoode, Ballantyne & Co., Ltd.Description: viii, 854, 2 unnumbered pages : illustrations (including portraits, facsimiles) maps (1 folded) ; 32 cmContent type:- text
- unmediated
- volume
- African Americans
- African American arts
- Race relations
- Blacks -- West Indies
- Blacks -- South America
- Blacks -- Africa
- Blacks -- Europe
- Arts, Black
- African Continental Ancestry Group -- history
- African American arts
- African Americans
- Arts, Black
- Blacks
- Race relations
- Race problems
- Africa
- Europe
- South America
- West Indies
- O 301.45 Cun
- 120597 Charm
Item type | Current library | Shelving location | Call number | Status | Date due | Barcode | |
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National Library of Jamaica | Daphne Douglas Reading Room | O 301.45 Cun (Browse shelf(Opens below)) | Available | 1000000030680 | ||
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OCLC Data | Unknown | O 301.45 Cun (Browse shelf(Opens below)) | Available | 0000000003030 |
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"It was necessary to make this book--and I think in this manner, an Anthology of some 150 voices of both races--for the recording of the struggles and achievements, the persecutions and the revolts against them, of the Negro peoples"--Foreword.
Extensively illustrated with halftone photographs of people, documents, art, music.
Includes one folded map, bound in "Africa" section, with title "Ethnographical map of Negro Africa, printed in red and blue.
"As a manifesto of her sympathies for black liberation and communist politics, Nancy Cunard’s Negro Anthology (1934) represents a complex image of (3z(Bthe Negro(3y (Bwith contributions from (3z(Bsome 150 voices of both races.(3y (BThe enormous book (855 pages) was not widely distributed at the time of its publication and it has never been republished in its entirety, yet it represents a major collection of the leading figures of the African Diaspora, artistic and literary avant-garde and left in the 1930s. Although it has been claimed as an end point to the Harlem Renaissance, its impact on thinking about African art has been largely underestimated;" see Shanahan, M. G. "Visualizing Africa in Nancy Cunard's Negro Anthology (1934)." Journal of Colonialism and Colonial History, vol. 6 no. 2, 2005. Project MUSE, doi:10.1353/cch.2005.0046
Contains music.
Includes bibliographical references.
America.--Negro stars.--Music.--Poetry.--West Indies and South America.--Europe.--Africa.
120597 Charm
NLJCols20082021
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